The Book Of Eli (2010)
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Eli (Denzel Washington) has been on a journey for 30 years, walking west across America after a cataclysmic war that turned the earth into a total wasteland. The world has become a lawless civilization where people must kill or be killed. The barren roads belong to gangs of cutthroats who rob and kill for water, a pair of shoes, a lighter, or just for fun. Eli is a peaceful man who only acts in self defense, and becomes a warrior with unbelievable killing skills when he is challenged. After the war and the “Big Flash”, Eli was guided by a higher power to a hidden book and given the task of protecting the book and taking it to its final destination. Eli guards the book with his life, because he knows that the book is the only hope that humanity has for its future.
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[...] Kunis in action heroine roles. Really, guys, it ain’t gonna happen. As in, ever. “The Book Of Eli (2010) Free Streaming” is more than a capable entry into a genre that has been ignored for too long (if you’re a fan [...]
[...] “The Book Of Eli (2010)” is more than a capable entry into a genre that has been ignored for too long (if you’re a fan like me, anyway), but man, did it take me for a loop towards the end. There is an almost lyrical quality to the movie that belies its blistering sun-scorched landscape, or its drab, colorless environment. Hats off to the Hughes for maintaining the film’s action-free final act. I suppose in a way you can call what they did a huge leap of faith, the thinking being that audiences will accept “Eli’s” ending because it very much works in context with the story they’re telling. Of course, that’s up to you to decide. I found it strangely appropriate, but would have still liked one final bang to cap things off anyway, but that’s just me. [...]
[...] “The Book Of Eli (2010) Free Streaming” is more than a capable entry into a genre that has been ignored for too long (if you’re a fan like me, anyway), but man, did it take me for a loop towards the end. There is an almost lyrical quality to the movie that belies its blistering sun-scorched landscape, or its drab, colorless environment. Hats off to the Hughes for maintaining the film’s action-free final act. I suppose in a way you can call what they did a huge leap of faith, the thinking being that audiences will accept “Eli’s” ending because it very much works in context with the story they’re telling. Of course, that’s up to you to decide. I found it strangely appropriate, but would have still liked one final bang to cap things off anyway, but that’s just me. [...]